Employed by Character.com as a freelancer to create print and digital commercial marketing assets for their UK stores, via collaborating with the studio team and using their brand toolkit.
Contributed to the success of UK alt-rock band The Fiends by creating visual assets to curate a social media presence, earn 100,000+ Global streams, and sign to Revolver Records.
Commissioned by Marstons Pubs to create a refreshing visual identity for The Coach House, consisting of new menus, plastic cups, coasters, packaging, loyalty cards, etc.
Commissioned by Evident Agency to create a logo animation, as well as animate their posters as digital assets for their social media and other digital applications.
Commissioned by Ben Nader of Recruiter Empire to create a logo identity and social media assets for his online business that aims to help startup recruitment agencies.
Commissioned by PDOCS Labs to design a visual identity and logo animation for The Ads Labs, an online business aiming to help clients generate their revenue through ads.
Commissioned by Always Create to create marketing assets for Roosevelt’s singles and his latest double single release, ‘On My Mind/About U,’ with over 2 Million Spotify streams.
Commissioned by Rivington Hark to create marketing assets for ‘Lookout’ to promote the Swansea Phase 1 project, approved for use by Rob Stewart, Leader of Swansea City Council.
Commissioned by Swasea Bay Records to create a visual identity and design assets such as t-shirts, a logo animation, business and gift cards for their record store.
As a Team Leader at The Mardy Inn, JDW, I train associates and maintain high standards in a fast-paced environment with teamwork, problem-solving, communication, initiative, and attention to detail.
Worked as a Kitchean Team Member with the purpose preparing, cook and present food quickly and efficiently with the key aim of delivering quality food to the guests with the brand specification and standard timings.
Contributed to helping team members with preparing food within brand spec to be ready for service. This was until Toby Carvery was shut down and renovated to become Miller and Carter Killay.
Through the discovery phase, I learn about your business goals, target market, problems, etc., to gain insight into your business needs and determine the scope of the project.
After we discover what your business needs are, I begin further researching the target market and gather inspiration to determine the visual direction of the project that will be shared with the client.
Once I have collated all of my notes and ideas from the discovery and research phase, I move on to the idea-sketch phase of the project. This phase weeds out all the good and bad (and ugly) ideas and narrows the project's visual identity.
After I've done a few sketches of the visual identity, I will move on to bringing the design idea to life digitally. This phase is where the fun begins, as it involves a lot of thought and visual experimentation.
After the design phase, I will pitch the ideas through a one-to-one presentation on call or in person (depending on personal preference). Once we have settled on a direction, I will continue to refine, make adjustments, and present the final idea with mockups and brief brand guidelines.
After the final pitch meeting, I will offer three revisions before sending the files. Any more revision requests will result in £25 per revision. After signing off on the project and sending the files, there will be no more revisions unless there is an error on my part.
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